Carbon dating accurate wiki
You probably have seen or read news stories about fascinating ancient artifacts.
At an archaeological dig, a piece of wooden tool is unearthed and the archaeologist finds it to be 5,000 years old.
As soon as a living organism dies, it stops taking in new carbon.
The ratio of carbon-12 to carbon-14 at the moment of death is the same as every other living thing, but the carbon-14 decays and is not replaced.
In living organisms, which are always taking in carbon, the levels of carbon 14 likewise stay constant.
But in a dead organism, no new carbon is coming in, and its carbon 14 gradually begins to decay.
Carbon-14 dating is a way of determining the age of certain archeological artifacts of a biological origin up to about 50,000 years old.
It is used in dating things such as bone, cloth, wood and plant fibers that were created in the relatively recent past by human activities.
The use of various radioisotopes allows the dating of biological and geological samples with a high degree of accuracy.
Photography of the shroud by Secondo Pia in 1898 indicated that the image resembled a photographic 'negative' and represents the first modern study.
Subsequently the shroud was made available for scientific examination, first in 19 by a committee appointed by Cardinal Michele Pellegrino .
The Shroud of Turin (Turin Shroud), a linen cloth that tradition associates with the crucifixion and burial of Jesus, has undergone numerous scientific tests, the most notable of which is radiocarbon dating, in an attempt to determine the relic's authenticity. Shredding the samples would not solve the problem, while making it much more difficult and wasteful to clean the samples properly.
In 1988, scientists at three separate laboratories dated samples from the Shroud to a range of 1260–1390 AD, which coincides with the first certain appearance of the shroud in the 1350s and is much later than the burial of Jesus around 30 AD. Samples were taken on April 21, 1988, in the Cathedral by Franco Testore, an expert on weaves and fabrics, and by Giovanni Riggi, a representative of the maker of bio-equipment "Numana".